Aleister Crowley Thoth Tarot 78 Cards Deck – De Luxe – Standard – Pocket

Aleister Crowley Thoth Tarot 78 Cards Deck - De Luxe - Standard - Pocket

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Sub-Type:Cards
Modified Item:No
Colour:Blue
Country/Region of Manufacture:Belgium
MPN:Does Not Apply
Custom Bundle:No
Style:Art Deco Style
Unit Type:Unit
Room:Any Room
Unit Quantity:1
AGM:AGM
Non-Domestic Product:No
Type:Tarot

Aleister Crowley Tarot DeckThe listing is for a single deck of tarot cards, there are 3 different sized decks to choose from, the de-luxe, the standard and the pocket sized. More details of these decks can be found below. For this latest edition, the colors of the card images have been matched to the original paintings as faithfully as possible. The De-luxe size is shown in the video. De-Luxe Size 78 cards 95 x 140 mm Card language: English Instruction booklet: EnglishStandard Size78 cards 110x 70 mm Card language: English Instruction booklet: EnglishPocket Size 78 cards 89 x 57 mm Card language: English Instruction booklet: English The Thoth Tarot cards were painted by Lady Frieda Harris according to instructions from the occult scholar, Aleister Crowley. The magnificent art deco work contains kabalistic and astrological attributions described in Aleister Crowley’s Book of Thoth. The stunning art deco artwork of the Thoth is rich in Egyptian symbolism. To each of the twenty-two Major Trumps of the tarot is assigned, by tradition, a Hebrew letter and a path on the Tree of Life, as well as an astrological sign, element, or planet. The deck also reflects Crowley’s interest in alchemy and magic. Crowley Thoth Tarot has attracted a worldwide following, both for its striking beauty and for its complex depiction of occult knowledge. Since its initial publication in 1969, the deck has never been out of print. Crowley originally intended the Thoth deck to be a six-month project aimed at updating the traditional pictorial symbolism of the tarot. However, the project was to span five years, between 1938 and 1943, as its scope grew ever wider. Crowley and Harris were meticulous in their work, and Harris painted some of the cards as many as eight times. Neither Harris nor Crowley lived to see the deck published. The first full publication was by Ordo Templi Orientis in 1969, although this initial printing was seen by many to be of inferior quality, and in 1977 Harris’ paintings were rephotographed for a second edition. A further update with new photography took place in 1986, while the current edition is based on a revision of this update which was first printed in 1996. The illustrations of the Thoth deck are rich in symbolism, based upon Crowley’s stated desire to incorporate symbols from many disparate disciplines, including science and philosophy, as well as to draw on his extensive knowledge of various occult system (as described in detail in his Book of Thoth). For example, The Hanged Man and The Moon draw from Egyptian mythology, and the Princess of Disks holds a disk bearing the Taijitu. The pip cards in the four suits (Wands, Cups, Swords, and Disks) depict their objects in carefully crafted positions; for example, the Four of Swords (which Crowley named “truce”) shows four swords with their points toward the center of an imaginary square, suggesting a possibly tense peace. The card illustrations are uniformly stark and vividly illustrated throughout. Review by Bayati In spite of the bad rap this deck sometimes receives (perhaps because it is preceded by the reputation of its infamous creator), for me there is no other deck that provides me with such profound clarity and accurate guidance in readings. Though I own and have read several other decks, for the past three years, this is the only deck I use for readings. When I saw this the complete deck for the first time in a local Metaphysical store, its flaming intensity scared me. There is a richness and complexity to it that both attracts one to its bold beauty and causes the same aversion the eyes feel when looking at the sun. Just as the eyes can’t handle the intense rays of the sun, in my earliest tarot studying days, I wasn’t quite ready for the Thoth. A month later, I broke down and bought the cards, and in spite of their complexity (and perhaps because of it), found them the easiest to read. Each card is filled with a myriad of archetypal symbols, each adding to a potential meaning of the card. Simpler decks, with just one main image didn’t really work for me because I found their possible interpretations too limiting. But, as I began to learn the Thoth, I often found myself inexplicably drawn to a certain aspect of the card (a symbol, a color, a picture) that would tend to add more specificity or color to the card’s standard meaning. In decks with more straight-forward images, such as those in the Osho Zen deck (which I used to use in readings), I always felt my readings were too generalized. I was a novice at the tarot when I first began using this deck. Some may not recommend it for beginners because of the Thoth’s heavy ties to Egyptian spirituality, Astrology, and the Kabbalah. I disagree. I still know nothing about the Kabbalah, and very little of the Egyptian references, but do not feel that my readings suffer because of it. The potency in this deck lies in its images. However, a beginner (or master of the tarot for that matter) should have a good book to use as a reference. Crowley’s Book of Thoth is not one I’d recommend for anyone who wants to learn how to read these cards. Generic tarot books won’t work for card meanings either. I own several books that specialize in this deck, and my favorite by far is Tarot Mirror of the Soul by Gerd Zeigler. It is one of the most concise books for this deck, yet it addresses nearly all of the details and symbols found in each card. It also has a picture of each card on the same page as its meaning, which is helpful. In short, this deck offers infinite variations in meaning that results in more specific readings. Don’t be thrown off by its complexity or the superstition surrounding it. They are just cards, but they are wonderful ones. I give this deck five stars.

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